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Cover of The Picture of Dorian Gray

Starvard · The Masters Library

The Picture of Dorian Gray

von Oscar Wilde · 21 Teile · about 6 hours 34 minutes Lesezeit

Finn, your Starvard guide

Hallo, ich bin Finn, und ich helfe dir, dieses Buch zu verstehen.

Hier ist es, erklärt, als wärst du 10 Jahre alt:

Dorian Gray ist so schön, dass ein Künstler sein Porträt malt, und Dorian wünscht sich, das Bild würde an seiner Stelle alt werden. Der Wunsch geht in Erfüllung. Dorian bleibt jahrelang jung und schön, während das versteckte Porträt jede grausame Tat von ihm festhält und immer hässlicher wird. Ein schönes Gesicht kann also ein faules Leben verstecken.

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Das ganze Buch wird auf Englisch gelesen. Hier sind alle Kapitel:

Kapitel

Preface2 min · audio Chapter I25 min · audio Chapter II28 min · audio Chapter III22 min · audio Chapter IV28 min · audio Chapter V22 min · audio Chapter VI14 min · audio Chapter VII22 min · audio Chapter VIII26 min · audio Chapter IX19 min · audio Chapter X16 min · audio Chapter XI37 min · audio Chapter XII14 min · audio Chapter XIII13 min · audio Chapter XIV23 min · audio Chapter XV16 min · audio Chapter XVI16 min · audio Chapter XVII9 min · audio Chapter XVIII17 min · audio Chapter XIX18 min · audio Chapter XX10 min · audio

Preface

The artist is the creator of beautiful things. To reveal art and conceal the artist is art’s aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.

The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty.

There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.

The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor’s craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.

All art is quite useless.

Oscar Wilde.