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Cover of Jane Eyre

Starvard · The Masters Library

Jane Eyre

oleh Charlotte Bronte · 40 bagian · about 15 hours 25 minutes waktu membaca

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Ini dia, dijelaskan seperti untuk anak usia 10 tahun:

Jane Eyre adalah anak yatim yang tidak punya apa apa: tidak ada uang, tidak ada keluarga, tidak ada kecantikan yang diperhatikan orang. Yang dia punya adalah keberanian. Dia menjadi guru di sebuah rumah besar yang muram, jatuh cinta pada pemiliknya yang pemurung, dan menemukan bahwa pria itu menyembunyikan sesuatu yang mengerikan di lantai atas. Jane menolak setiap jalan pintas yang mengorbankan harga dirinya.

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Buku lengkapnya dibaca dalam bahasa Inggris. Ini semua babnya:

Bab

Preface4 min Note to the Third Edition1 min Chapter I10 min · audio Chapter II14 min · audio Chapter III16 min · audio Chapter IV29 min · audio Chapter V25 min · audio Chapter VI15 min · audio Chapter VII18 min · audio Chapter VIII15 min · audio Chapter IX16 min · audio Chapter X22 min · audio Chapter XI32 min · audio Chapter XII21 min · audio Chapter XIII20 min · audio Chapter XIV25 min · audio Chapter XV25 min · audio Chapter XVI19 min · audio Chapter XVII40 min · audio Chapter XVIII29 min · audio Chapter XIX19 min · audio Chapter XX29 min · audio Chapter XXI44 min · audio Chapter XXII14 min · audio Chapter XXIII19 min · audio Chapter XXIV36 min · audio Chapter XXV25 min · audio Chapter XXVI21 min · audio Chapter XXVII55 min · audio Chapter XXVIII34 min · audio Chapter XXIX23 min · audio Chapter XXX18 min · audio Chapter XXXI15 min · audio Chapter XXXII23 min · audio Chapter XXXIII24 min · audio Chapter XXXIV46 min · audio Chapter XXXV22 min · audio Chapter XXXVI19 min · audio Chapter XXXVII37 min · audio Chapter XXXVIII: Conclusion9 min · audio

Preface

A preface to the first edition of Jane Eyre being unnecessary, I gave none: this second edition demands a few words both of acknowledgment and miscellaneous remark.

My thanks are due in three quarters.

To the Public, for the indulgent ear it has inclined to a plain tale with few pretensions.

To the Press, for the fair field its honest suffrage has opened to an obscure aspirant.

To my Publishers, for the aid their tact, their energy, their practical sense and frank liberality have afforded an unknown and unrecommended Author.

The Press and the Public are but vague personifications for me, and I must thank them in vague terms; but my Publishers are definite: so are certain generous critics who have encouraged me as only large-hearted and high-minded men know how to encourage a struggling stranger; to them, i.e., to my Publishers and the select Reviewers, I say cordially, Gentlemen, I thank you from my heart.

Having thus acknowledged what I owe those who have aided and approved me, I turn to another class; a small one, so far as I know, but not, therefore, to be overlooked. I mean the timorous or carping few who doubt the tendency of such books as Jane Eyre: in whose eyes whatever is unusual is wrong; whose ears detect in each protest against bigotry—that parent of crime—an insult to piety, that regent of God on earth. I would suggest to such doubters certain obvious distinctions; I would remind them of certain simple truths.

Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.

These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is—I repeat it—a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.

The world may not like to see these ideas dissevered, for it has been accustomed to blend them; finding it convenient to make external show pass for sterling worth—to let whitewashed walls vouch for clean shrines. It may hate him who dares to scrutinise and expose—to rase the gilding, and show base metal under it—to penetrate the sepulchre, and reveal charnel relics: but hate as it will, it is indebted to him.

Ahab did not like Micaiah, because he never prophesied good concerning him, but evil; probably he liked the sycophant son of Chenaannah better; yet might Ahab have escaped a bloody death, had he but stopped his ears to flattery, and opened them to faithful counsel.

There is a man in our own days whose words are not framed to tickle delicate ears: who, to my thinking, comes before the great ones of society, much as the son of Imlah came before the throned Kings of Judah and Israel; and who speaks truth as deep, with a power as prophet-like and as vital—a mien as dauntless and as daring. Is the satirist of Vanity Fair admired in high places? I cannot tell; but I think if some of those amongst whom he hurls the Greek fire of his sarcasm, and over whom he flashes the levin-brand of his denunciation, were to take his warnings in time—they or their seed might yet escape a fatal Rimoth-Gilead.

Why have I alluded to this man? I have alluded to him, Reader, because I think I see in him an intellect profounder and more unique than his contemporaries have yet recognised; because I regard him as the first social regenerator of the day—as the very master of that working corps who would restore to rectitude the warped system of things; because I think no commentator on his writings has yet found the comparison that suits him, the terms which rightly characterise his talent. They say he is like Fielding: they talk of his wit, humour, comic powers. He resembles Fielding as an eagle does a vulture: Fielding could stoop on carrion, but Thackeray never does. His wit is bright, his humour attractive, but both bear the same relation to his serious genius that the mere lambent sheet-lightning playing under the edge of the summer-cloud does to the electric death-spark hid in its womb. Finally, I have alluded to Mr. Thackeray, because to him—if he will accept the tribute of a total stranger—I have dedicated this second edition of Jane Eyre.

Currer Bell.

December 21st, 1847.