Spoon River Anthology · Edgar Lee Masters
Perry Zoll
My thanks, friends of the
County Scientific Association,
For this modest boulder,
And its little tablet of bronze.
Twice I tried to join your honored body,
And was rejected
And when my little brochure
On the intelligence of plants
Began to attract attention
You almost voted me in.
After that I grew beyond the need of you
And your recognition.
Yet I do not reject your memorial stone
Seeing that I should, in so doing,
Deprive you of honor to yourselves.
Dippold the Optician
What do you see now?
Globes of red, yellow, purple.
Just a moment! And now?
My father and mother and sisters.
Yes! And now?
Knights at arms, beautiful women, kind faces.
Try this.
A field of grain--a city.
Very good! And now?
A young woman with angels bending over her.
A heavier lens! And now?
Many women with bright eyes and open lips.
Try this.
Just a goblet on a table.
Oh I see! Try this lens!
Just an open space--I see nothing in particular.
Well, now!
Pine trees, a lake, a summer sky.
That’s better. And now?
A book.
Read a page for me.
I can’t. My eyes are carried beyond the page.
Try this lens.
Depths of air.
Excellent! And now!
Light, just light making everything below it a toy world.
Very well, we’ll make the glasses accordingly.
Magrady Graham
Tell me, was Altgeld elected Governor?
For when the returns began to come in
And Cleveland was sweeping the East
It was too much for you, poor old heart,
Who had striven for democracy
In the long, long years of defeat.
And like a watch that is worn
I felt you growing slower until you stopped.
Tell me, was Altgeld elected,
And what did he do?
Did they bring his head on a platter to a dancer,
Or did he triumph for the people?
For when I saw him
And took his hand,
The child-like blueness of his eyes
Moved me to tears,
And there was an air of eternity about him,
Like the cold, clear light that rests at dawn
On the hills!
Archibald Higbie
I loathed you, Spoon River.
I tried to rise above you,
I was ashamed of you.
I despised you
As the place of my nativity.
And there in Rome, among the artists,
Speaking Italian, speaking French,
I seemed to myself at times to be free
Of every trace of my origin.
I seemed to be reaching the heights of art
And to breathe the air that the masters breathed
And to see the world with their eyes.
But still they’d pass my work and say:
“What are you driving at, my friend?
Sometimes the face looks like Apollo’s
At others it has a trace of Lincoln’s.”
There was no culture, you know, in Spoon River
And I burned with shame and held my peace.
And what could I do, all covered over
And weighted down with western soil
Except aspire, and pray for another
Birth in the world, with all of Spoon River
Rooted out of my soul?
Tom Merritt
At first I suspected something--
She acted so calm and absent-minded.
And one day I heard the back door shut
As I entered the front, and I saw him slink
Back of the smokehouse into the lot
And run across the field.
And I meant to kill him on sight.
But that day, walking near Fourth Bridge
Without a stick or a stone at hand,
All of a sudden I saw him standing
Scared to death, holding his rabbits,
And all I could say was, “Don’t, Don’t, Don’t,”
As he aimed and fired at my heart.
Mrs. Merritt
Silent before the jury
Returning no word to the judge when he asked me
If I had aught to say against the sentence,
Only shaking my head.
What could I say to people who thought
That a woman of thirty-five was at fault
When her lover of nineteen killed her husband?
Even though she had said to him over and over,
“Go away, Elmer, go far away,
I have maddened your brain with the gift of my body:
You will do some terrible thing.”
And just as I feared, he killed my husband;
With which I had nothing to do, before
God Silent for thirty years in prison
And the iron gates of Joliet
Swung as the gray and silent trusties
Carried me out in a coffin.
Elmer Karr
What but the love of God could have softened
And made forgiving the people of Spoon River
Toward me who wronged the bed of Thomas Merritt
And murdered him beside?
Oh, loving hearts that took me in again
When I returned from fourteen years in prison!
Oh, helping hands that in the church received me
And heard with tears my penitent confession,
Who took the sacrament of bread and wine!
Repent, ye living ones, and rest with Jesus.
Elizabeth Childers
Dust of my dust,
And dust with my dust,
O, child who died as you entered the world,
Dead with my death!
Not knowing
Breath, though you tried so hard,
With a heart that beat when you lived with me,
And stopped when you left me for Life.
It is well, my child.
For you never traveled
The long, long way that begins with school days,
When little fingers blur under the tears
That fall on the crooked letters.
And the earliest wound, when a little mate
Leaves you alone for another;
And sickness, and the face of
Fear by the bed;
The death of a father or mother;
Or shame for them, or poverty;
The maiden sorrow of school days ended;
And eyeless Nature that makes you drink
From the cup of Love, though you know it’s poisoned;
To whom would your flower-face have been lifted?
Botanist, weakling?
Cry of what blood to yours?--
Pure or foul, for it makes no matter,
It’s blood that calls to our blood.
And then your children--oh, what might they be?
And what your sorrow?
Child! Child Death is better than Life.
Edith Conant
We stand about this place--we, the memories;
And shade our eyes because we dread to read:
“June 17th, 1884, aged 21 years and 3 days.”
And all things are changed.
And we--we, the memories, stand here for ourselves alone,
For no eye marks us, or would know why we are here.
Your husband is dead, your sister lives far away,
Your father is bent with age;
He has forgotten you, he scarcely leaves the house
Any more. No one remembers your exquisite face,
Your lyric voice!
How you sang, even on the morning you were stricken,
With piercing sweetness, with thrilling sorrow,
Before the advent of the child which died with you.
It is all forgotten, save by us, the memories,
Who are forgotten by the world.
All is changed, save the river and the hill--
Even they are changed.
Only the burning sun and the quiet stars are the same.
And we--we, the memories, stand here in awe,
Our eyes closed with the weariness of tears--
In immeasurable weariness
Charles Webster
The pine woods on the hill,
And the farmhouse miles away,
Showed clear as though behind a lens
Under a sky of peacock blue!
But a blanket of cloud by afternoon
Muffled the earth. And you walked the road
And the clover field, where the only sound
Was the cricket’s liquid tremolo.
Then the sun went down between great drifts
Of distant storms. For a rising wind
Swept clean the sky and blew the flames
Of the unprotected stars;
And swayed the russet moon,
Hanging between the rim of the hill
And the twinkling boughs of the apple orchard.
You walked the shore in thought
Where the throats of the waves were like whip-poor-wills
Singing beneath the water and crying
To the wash of the wind in the cedar trees,
Till you stood, too full for tears, by the cot,
And looking up saw Jupiter,
Tipping the spire of the giant pine,
And looking down saw my vacant chair,
Rocked by the wind on the lonely porch--
Be brave, Beloved!
Father Malloy
You are over there, Father Malloy,
Where holy ground is, and the cross marks every grave,
Not here with us on the hill--
Us of wavering faith, and clouded vision
And drifting hope, and unforgiven sins.
You were so human, Father Malloy,
Taking a friendly glass sometimes with us,
Siding with us who would rescue Spoon River
From the coldness and the dreariness of village morality.
You were like a traveler who brings a little box of sand
From the wastes about the pyramids
And makes them real and Egypt real.
You were a part of and related to a great past,
And yet you were so close to many of us.
You believed in the joy of life.
You did not seem to be ashamed of the flesh.
You faced life as it is,
And as it changes.
Some of us almost came to you, Father Malloy,
Seeing how your church had divined the heart,
And provided for it,
Through Peter the Flame,
Peter the Rock.
Ami Green
Not “a youth with hoary head and haggard eye”,
But an old man with a smooth skin
And black hair! I had the face of a boy as long as I lived,
And for years a soul that was stiff and bent,
In a world which saw me just as a jest,
To be hailed familiarly when it chose,
And loaded up as a man when it chose,
Being neither man nor boy.
In truth it was soul as well as body
Which never matured, and I say to you
That the much-sought prize of eternal youth
Is just arrested growth.
Calvin Campbell
Ye who are kicking against Fate,
Tell me how it is that on this hill-side
Running down to the river,
Which fronts the sun and the south-wind,
This plant draws from the air and soil
Poison and becomes poison ivy?
And this plant draws from the same air and soil
Sweet elixirs and colors and becomes arbutus?
And both flourish?
You may blame Spoon River for what it is,
But whom do you blame for the will in you
That feeds itself and makes you dock-weed,
Jimpson, dandelion or mullen
And which can never use any soil or air
So as to make you jessamine or wistaria?
Henry Layton
Whoever thou art who passest by
Know that my father was gentle,
And my mother was violent,
While I was born the whole of such hostile halves,
Not intermixed and fused,
But each distinct, feebly soldered together.
Some of you saw me as gentle,
Some as violent,
Some as both.
But neither half of me wrought my ruin.
It was the falling asunder of halves,
Never a part of each other,
That left me a lifeless soul.
Harlan Sewall
You never understood,
O unknown one,
Why it was I repaid
Your devoted friendship and delicate ministrations
First with diminished thanks,
Afterward by gradually withdrawing my presence from you,
So that I might not be compelled to thank you,
And then with silence which followed upon
Our final Separation.
You had cured my diseased soul.
But to cure it
You saw my disease, you knew my secret,
And that is why I fled from you.
For though when our bodies rise from pain
We kiss forever the watchful hands
That gave us wormwood, while we shudder
For thinking of the wormwood,
A soul that’s cured is a different matter,
For there we’d blot from memory
The soft-toned words, the searching eyes,
And stand forever oblivious,
Not so much of the sorrow itself
As of the hand that healed it.
Ippolit Konovaloff
I was a gun-smith in Odessa.
One night the police broke in the room
Where a group of us were reading Spencer.
And seized our books and arrested us.
But I escaped and came to New York
And thence to Chicago, and then to Spoon River,
Where I could study my Kant in peace
And eke out a living repairing guns
Look at my moulds! My architectonics
One for a barrel, one for a hammer
And others for other parts of a gun!
Well, now suppose no gun-smith living
Had anything else but duplicate moulds
Of these I show you--well, all guns
Would be just alike, with a hammer to hit
The cap and a barrel to carry the shot
All acting alike for themselves, and all
Acting against each other alike.
And there would be your world of guns!
Which nothing could ever free from itself
Except a Moulder with different moulds
To mould the metal over.
Henry Phipps
I was the Sunday-school superintendent,
The dummy president of the wagon works
And the canning factory,
Acting for Thomas Rhodes and the banking clique;
My son the cashier of the bank,
Wedded to Rhodes’ daughter,
My week days spent in making money,
My Sundays at church and in prayer.
In everything a cog in the wheel of things-as-they-are:
Of money, master and man, made white
With the paint of the Christian creed.
And then:
The bank collapsed.
I stood and hooked at the wrecked machine--
The wheels with blow-holes stopped with putty and painted;
The rotten bolts, the broken rods;
And only the hopper for souls fit to be used again
In a new devourer of life,
When newspapers, judges and money-magicians
Build over again.
I was stripped to the bone, but I lay in the Rock of Ages,
Seeing now through the game, no longer a dupe,
And knowing “the upright shall dwell in the land
But the years of the wicked shall be shortened.”
Then suddenly, Dr. Meyers discovered
A cancer in my liver.
I was not, after all, the particular care of God
Why, even thus standing on a peak
Above the mists through which I had climbed,
And ready for larger life in the world,
Eternal forces
Moved me on with a push.
Harry Wilmans
I was just turned twenty-one,
And Henry Phipps, the Sunday-school superintendent,
Made a speech in Bindle’s Opera House.
“The honor of the flag must be upheld,” he said,
“Whether it be assailed by a barbarous tribe of Tagalogs
Or the greatest power in Europe.”
And we cheered and cheered the speech and the flag he waved
As he spoke.
And I went to the war in spite of my father,
And followed the flag till I saw it raised
By our camp in a rice field near Manila,
And all of us cheered and cheered it.
But there were flies and poisonous things;
And there was the deadly water,
And the cruel heat,
And the sickening, putrid food;
And the smell of the trench just back of the tents
Where the soldiers went to empty themselves;
And there were the whores who followed us, full of syphilis;
And beastly acts between ourselves or alone,
With bullying, hatred, degradation among us,
And days of loathing and nights of fear
To the hour of the charge through the steaming swamp,
Following the flag,
Till I fell with a scream, shot through the guts.
Now there’s a flag over me in
Spoon River. A flag!
A flag!
John Wasson
Oh! the dew-wet grass of the meadow in North Carolina
Through which Rebecca followed me wailing, wailing,
One child in her arms, and three that ran along wailing,
Lengthening out the farewell to me off to the war with the British,
And then the long, hard years down to the day of Yorktown.
And then my search for Rebecca,
Finding her at last in Virginia,
Two children dead in the meanwhile.
We went by oxen to Tennessee,
Thence after years to Illinois,
At last to Spoon River.
We cut the buffalo grass,
We felled the forests,
We built the school houses, built the bridges,
Leveled the roads and tilled the fields
Alone with poverty, scourges, death--
If Harry Wilmans who fought the Filipinos
Is to have a flag on his grave
Take it from mine.
Many Soldiers
The idea danced before us as a flag;
The sound of martial music;
The thrill of carrying a gun;
Advancement in the world on coming home;
A glint of glory, wrath for foes;
A dream of duty to country or to God.
But these were things in ourselves, shining before us,
They were not the power behind us,
Which was the Almighty hand of Life,
Like fire at earth’s center making mountains,
Or pent up waters that cut them through.
Do you remember the iron band
The blacksmith, Shack Dye, welded
Around the oak on Bennet’s lawn,
From which to swing a hammock,
That daughter Janet might repose in, reading
On summer afternoons?
And that the growing tree at last
Sundered the iron band?
But not a cell in all the tree
Knew aught save that it thrilled with life,
Nor cared because the hammock fell
In the dust with Milton’s Poems.
Godwin James
Harry Wilmans! You who fell in a swamp
Near Manila, following the flag
You were not wounded by the greatness of a dream,
Or destroyed by ineffectual work,
Or driven to madness by Satanic snags;
You were not torn by aching nerves,
Nor did you carry great wounds to your old age.
You did not starve, for the government fed you.
You did not suffer yet cry “forward”
To an army which you led
Against a foe with mocking smiles,
Sharper than bayonets.
You were not smitten down
By invisible bombs.
You were not rejected
By those for whom you were defeated.
You did not eat the savorless bread
Which a poor alchemy had made from ideals.
You went to Manila, Harry Wilmans,
While I enlisted in the bedraggled army
Of bright-eyed, divine youths,
Who surged forward, who were driven back and fell
Sick, broken, crying, shorn of faith,
Following the flag of the Kingdom of Heaven.
You and I, Harry Wilmans, have fallen
In our several ways, not knowing
Good from bad, defeat from victory,
Nor what face it is that smiles
Behind the demoniac mask.
Lyman King
You may think, passer-by, that Fate
Is a pit-fall outside of yourself,
Around which you may walk by the use of foresight
And wisdom.
Thus you believe, viewing the lives of other men,
As one who in God-like fashion bends over an anthill,
Seeing how their difficulties could be avoided.
But pass on into life:
In time you shall see Fate approach you
In the shape of your own image in the mirror;
Or you shall sit alone by your own hearth,
And suddenly the chair by you shall hold a guest,
And you shall know that guest
And read the authentic message of his eyes.
Caroline Branson
With our hearts like drifting suns, had we but walked,
As often before, the April fields till star-light
Silkened over with viewless gauze the darkness
Under the cliff, our trysting place in the wood,
Where the brook turns! Had we but passed from wooing
Like notes of music that run together, into winning,
In the inspired improvisation of love!
But to put back of us as a canticle ended
The rapt enchantment of the flesh,
In which our souls swooned, down, down,
Where time was not, nor space, nor ourselves--
Annihilated in love!
To leave these behind for a room with lamps:
And to stand with our Secret mocking itself,
And hiding itself amid flowers and mandolins,
Stared at by all between salad and coffee.
And to see him tremble, and feel myself
Prescient, as one who signs a bond--
Not flaming with gifts and pledges heaped
With rosy hands over his brow.
And then, O night! deliberate! unlovely!
With all of our wooing blotted out by the winning,
In a chosen room in an hour that was known to all!
Next day he sat so listless, almost cold
So strangely changed, wondering why I wept,
Till a kind of sick despair and voluptuous madness
Seized us to make the pact of death.
A stalk of the earth-sphere,
Frail as star-light;
Waiting to be drawn once again
Into creation’s stream.
But next time to be given birth
Gazed at by Raphael and St. Francis
Sometimes as they pass.
For I am their little brother,
To be known clearly face to face
Through a cycle of birth hereafter run.
You may know the seed and the soil;
You may feel the cold rain fall,
But only the earth-sphere, only heaven
Knows the secret of the seed
In the nuptial chamber under the soil.
Throw me into the stream again,
Give me another trial--
Save me, Shelley!
Anne Rutledge
Out of me unworthy and unknown
The vibrations of deathless music;
“With malice toward none, with charity for all.”
Out of me the forgiveness of millions toward millions,
And the beneficent face of a nation
Shining with justice and truth.
I am Anne Rutledge who sleep beneath these weeds,
Beloved in life of Abraham Lincoln,
Wedded to him, not through union, But through separation.
Bloom forever, O Republic,
From the dust of my bosom!
Hamlet Micure
In a lingering fever many visions come to you:
I was in the little house again
With its great yard of clover
Running down to the board-fence,
Shadowed by the oak tree,
Where we children had our swing.
Yet the little house was a manor hall
Set in a lawn, and by the lawn was the sea.
I was in the room where little Paul
Strangled from diphtheria,
But yet it was not this room--
It was a sunny verandah enclosed
With mullioned windows
And in a chair sat a man in a dark cloak
With a face like Euripides.
He had come to visit me, or I had gone to visit him--I could not tell.
We could hear the beat of the sea, the clover nodded
Under a summer wind, and little Paul came
With clover blossoms to the window and smiled.
Then I said: “What is ‘divine despair,’ Alfred?”
“Have you read ‘Tears, Idle Tears’?” he asked.
“Yes, but you do not there express divine despair.”
“My poor friend,” he answered, “that was why the despair
Was divine.”
· · ·
End of part 8 of 11
Continue readingPart 9: Mabel Osborne to The Village Atheist
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