R.U.R. (Rossum's Universal Robots) · Karel Čapek
SCENE: HELENA’S drawing-room as before. The room is dark and gray. The steel shutters which are outside are still closed as at the end of Act II. ALQUIST is sitting in chair down stage at extreme R. DOMIN comes into the room, L.2. (Subdued voices.) DR. GALL is looking out of the window at Center. He is seated in a chair._
DOMIN. (Gets binoculars from desk; crosses up to window. To GALL) Any more of them?
DR. GALL. Yes. There standing like a wall, beyond the garden railing. Why are they so quiet? It’s monstrous to be besieged with silence.
DOMIN. (Looking through the barred windows) I should like to know what they are waiting for? They must make a start any minute now. If they lean against the railings it will snap like a match.
DR. GALL. They aren’t armed.
DOMIN. (Puzzled) We couldn’t hold our own for five minutes. Man alive, they overwhelm us like an avalanche. Why don’t they make a rush for it? I say. (Turns to GALL._)
DR. GALL. Well?
DOMIN. I’d like to know what will become of us in the next ten minutes. They’ve got us in a vise. We’re done for, Gall.
DR. GALL. You know, we made one serious mistake.
DOMIN. What?
DR. GALL. We made the Robots’ faces too much alike. A hundred thousand faces all alike, all facing this way. A hundred thousand expressionless bubbles. It’s like a nightmare.
DOMIN. You think if they’d been different--
DR. GALL. It wouldn’t have been such an awful sight!
DOMIN. (Looks through binoculars towards the harbor) I’d like to know what they’re unloading from the Amelia.
DR. GALL. Not firearms.
FABRY. (Enters L.2 with a plug-box to which is attached a long cable or wire. HALLEMEIER following him. FABRY attaches the cable to an electric installation which is on the floor near the wall, down stage at L.1 entrance) All right, Hallemeier, lay down that wire.
HALLEMEIER. (Just inside the room) That was a bit of work. What’s the news? (Seeing DOMIN and GALL at the window._)
DR. GALL. We’re completely surrounded.
HALLEMEIER. (Crosses to window) We’ve barricaded the passages and the stairs. (Going to window) God, what swarms of them. I don’t like the looks of them, Domin. There’s a feeling of death about it all. Any water here?
FABRY. Ready!
DR. GALL. (Turning round in the chair) What’s that wire for, Fabry?
FABRY. The electrical installation. Now we can run the current all along the garden railing. (Up to window) Whenever we like. If anyone touches it he’ll know it. We’ve still got some people there anyhow.
DR. GALL. Where?
FABRY. In the electrical works. At least, I hope so. (Goes to lamp on table L.C. and turns on lamp) Ah, they’re there, and they’re working. As long as that’ll burn we’re all right. (To window._)
HALLEMEIER. The barricades are all right, too, Fabry.
FABRY. Your barricades! I can put twelve hundred volts into that railing. (HELENA is playing Rachmaninoff’s Elegie off L.1._)
DOMIN. Where’s Busman? (DOMIN has left window and is walking up and down stage across front._)
FABRY. Downstairs in the office. He’s working out some calculations.
DOMIN. I’ve called him. We must have a conference. (Crosses to L._)
ALQUIST. Thank God Madame Helena can still play. (HALLEMEIER crosses to L.1 door, opens it slightly and listens to music. Enter BUSMAN L.2._)
FABRY. Look out, Bus--look out for the wires.
DR. GALL. What’s that you’re carrying?
BUSMAN. (Laying the books on the table L.C._) The ledger, my boy. I’d like to wind up the accounts before--before-- (DOMIN crosses up to window._) Well, this time I shan’t wait till the New Year to strike a balance. What’s up? (Goes to window) Absolutely quiet.
DR. GALL. Can’t you see anything?
BUSMAN. Nothing but blue--blue everywhere.
DR. GALL. That’s the Robots.
DOMIN. The Robots are unloading firearms from the Amelia.
BUSMAN. Well, what of it? How can I stop them? (Returns to L.C. table, sits and opens ledger._)
DOMIN. We can’t stop them.
BUSMAN. Then let me go on with my accounts. (Goes on with his work._)
DOMIN. (Picks up telescope) Good God! The Ultimus has trained her guns on us.
DR. GALL. Who’s done that?
DOMIN. The Robots on board.
FABRY. H’m, then of course-- (Pause) Then--then that’s the end of us. (To R. corner of desk._)
DR. GALL. You mean?
FABRY. The Robots are practised marksmen.
DOMIN. Yes. It’s inevitable. (Pause._)
DR. GALL. (Swinging around; looking into room. Pause) That was criminal of old Europe to teach the Robots to fight. Damn them. Couldn’t they have given us a rest with their politics? It was a crime to make soldiers of them.
ALQUIST. It was a crime to make Robots.
DOMIN. (Quietly. Down C._) No, Alquist, I don’t regret that even today.
ALQUIST. Not even today?
DOMIN. (Dreamily) Not even today, the last day of civilization. It was a colossal achievement.
BUSMAN. (Sotto voce) Three hundred sixty million.
DOMIN. (From window) Alquist, this is our last hour. We are already speaking half in the other world. That was not an evil dream to shatter the servitude of labor. The dreadful and humiliating labor that man had to undergo. Work was too hard. Life was too hard. And to overcome that--
ALQUIST. Was not what the two Rossums dreamed of. Old Rossum only thought of his Godless tricks, and the young one of his milliards. And that’s not what your R. U. R. shareholders dream of either. They dream of dividends, and their dividends are the ruin of mankind.
DOMIN. To Hell with your dividends. (Crossing R. in front of couch) Do you suppose I’d have done an hour’s work for them? It was for myself that I worked, for my own satisfaction. I wanted man to become the master. So that he shouldn’t live merely for the crust of bread. I wanted not a single soul to be broken by other people’s machinery. I wanted nothing, nothing, nothing to be left of this appalling social structure. I’m revolted by poverty. I wanted a new generation. I wanted--I thought--
ALQUIST. Well?
DOMIN. (Front of couch) I wanted to turn the whole of mankind into an aristocracy of the world. An aristocracy nourished by millions of mechanical slaves. Unrestricted, free and consummated in man. And maybe more than man.
ALQUIST. Superman?
DOMIN. Yes. Oh, only to have a hundred years of time. Another hundred years for the future of mankind.
BUSMAN. (Sotto voce) Carried forward--four hundred and twenty millions. (DOMIN sits on couch._)
HALLEMEIER. (Pauses--back of couch) What a fine thing music is. We ought to have gone in for that before.
FABRY. Gone in for what?
HALLEMEIER. Beauty, lovely things. What a lot of lovely things there are. The world was wonderful, and we--we here--tell me, what enjoyment did we have?
BUSMAN. (Sotto voce) Five hundred and twenty million.
HALLEMEIER. Life was a good thing, life was-- (Looking out of window. Directly to FABRY) Fabry, switch the current into that railing.
FABRY. Why? (Rushes to electric installation at L._)
HALLEMEIER. They’re grabbing hold of it. (DOMIN rises--straightens up. ALL rise._)
DR. GALL. Connect it up.
HALLEMEIER. Fine, that’s doubled them up. Two, three, four killed.
DR. GALL. They’re retreating. (DOMIN sits._)
HALLEMEIER. Five killed.
DR. GALL (Pause) The first encounter.
HALLEMEIER. They’re charred to cinders, my boy. Who says we must give in? (MUSIC stops._)
DOMIN. (ALQUIST and GALL sit. Wiping his forehead) Perhaps we’ve been killed this hundred years and are only ghosts. It’s as if I had been through all this before, as if I’d already had a mortal wound here in the throat. (Looking at each as he speaks) And you, Fabry, had once been shot in the head. And you, Gall, torn limb from limb. And Hallemeier knifed.
HALLEMEIER. Fancy me being knifed. (Looks at each. Then speaks) Why are you so quiet, you fools? (Steps down) Speak, can’t you?
ALQUIST. And who is to blame for all this?
HALLEMEIER. Nobody is to blame except the Robots.
ALQUIST. No, it is we are to blame. You, Domin, myself--all of us. For our own selfish ends, for profit, for progress, we have destroyed mankind. Now we’ll burst with all our greatness.
HALLEMEIER. Rubbish, man. Mankind can’t be wiped out so easily.
ALQUIST. It’s our fault. It’s our fault. (Rises, coming R. of GALL._)
DR. GALL. No! I’m to blame for this, for everything that’s happened. (He leaves the window and comes down to end of couch._)
FABRY. You, Gall?
DR. GALL. I changed the Robots.
BUSMAN. What’s that?
DR. GALL. I changed the character of the Robots. I changed the way of making them. Just a few details about their bodies. Chiefly--chiefly, their--their irritability.
HALLEMEIER. Damn it, why?
BUSMAN. What did you do it for?
FABRY. Why didn’t you say anything?
DR. GALL. I did it in secret. I was transforming them into human beings. In certain respects they’re already above us. They’re stronger than we are.
FABRY. And what’s that got to do with the revolt of the Robots?
DR. GALL. Everything, in my opinion. They’ve ceased to be machines. They’re already aware of their superiority, and they hate us as they hate everything human.
DOMIN. Perhaps we’re only phantoms.
FABRY. Stop, Harry. We haven’t much time, Doctor Gall.
DOMIN. Fabry, Fabry, how your forehead bleeds where the shot pierced it.
FABRY. (Crosses to GALL) Be silent! Doctor Gall, you admit changing the way of making the Robots.
DR. GALL. Yes.
FABRY. Were you aware of what might be the consequences of your experiment?
DR. GALL. I was bound to reckon with such a possibility.
FABRY. (Amusing) Why did you do it, then?
(HELENA enters L.1._)
DR. GALL. For my own satisfaction. The experiment was my own.
HELENA. That’s not true, Doctor Gall! (Crosses to couch._)
DOMIN. (Rises) Helena, you? (Crosses to her) Let’s look at you. Oh, it’s terrible to be dead. (He rises and crushes her in his arms._)
HELENA. Stop, Harry.
DOMIN. No, no, Helena, don’t leave me now. You are life itself.
HELENA. No, dear, I won’t leave you. But I must tell them. Doctor Gall is not guilty.
FABRY. Excuse me. Gall was under certain obligations.
HELENA. No. He did it because I wanted it. Tell them, Doctor Gall--how many years ago did I ask you to--?
DR. GALL. I did it on my own responsibility.
HELENA. Don’t believe him. I asked him to give the Robots souls.
DOMIN. This has nothing to do with the soul.
HELENA. That’s what he said. He said that he could change only a physiological--a physiological--
HALLEMEIER. (From up at window) A physiological correlate?
HELENA. Yes. But it meant so much to me that he should do even that.
DOMIN. Why?
HELENA. I thought that if they were more like us they would understand us better. That they couldn’t hate us if they were only a little more human.
DOMIN. Nobody can hate man more than man.
HELENA. Oh, don’t speak like that, Harry. It was so terrible, this cruel strangeness between us and them. That’s why I asked Gall to change the Robots. I swear to you that he didn’t want to.
DOMIN. But he did it.
HELENA. Because I asked him.
DR. GALL. I did it for myself as an experiment. (Up to window._)
HELENA. No, Doctor Gall! I know you wouldn’t refuse me.
DOMIN. Why?
HELENA. You know, Harry.
DOMIN. Yes, because he’s in love with you--like all of them. (FABRY up to window. Pause. DOMIN takes her in his arms._)
HALLEMEIER. Good God, they’re sprouting up out of the earth. Why, perhaps these very walls will change into Robots.
BUSMAN. (Rises; crosses to GALL) Gall, when did you actually start these tricks of yours?
DR. GALL. Three years ago.
BUSMAN. Aha. And on how many Robots altogether did you carry out your improvements? (Walking to and fro._)
DR. GALL. A few hundred of them.
BUSMAN. Ah! That means for every million of the good old Robots there’s only one of Gall’s improved pattern. (Back to table L.C._)
DOMIN. What of it? (Crossing around L., he stands upstage in the L.2 doorway._)
BUSMAN. That it’s of no consequence whatsoever.
FABRY. Busman’s right. (HELENA sits in armchair R. of L.C. table._)
BUSMAN. I should think so, my boy; but do you know what is to blame for this lovely mess?
FABRY. What?
BUSMAN. The number! (Crosses to L. of L.C. table) Upon my soul, we might have known that some day or other the Robots would be stronger than human beings, and that this was bound to happen. And we were doing all we could to bring it about as soon as possible. You, Domin, you, Fabry, myself--
DOMIN. Are you accusing us? (Turning on him._)
BUSMAN. Oh, do you suppose the management controls the output? It’s the demand that controls the output.
HELENA. And is it for that we must perish?
BUSMAN. That’s a nasty word, Madame Helena. We don’t want to perish. I don’t, anyhow. (He sits L. of table._)
DOMIN. No? What do you want to do?
BUSMAN. I want to get out of this, that’s all.
DOMIN. Oh, stop it, Busman.
BUSMAN. Seriously, Harry, I think we might try it.
DOMIN. How? (To front again._)
BUSMAN. By fair means. I do everything by fair means. Give me a free hand and I’ll negotiate with the Robots.
DOMIN. By fair means?
BUSMAN. (Rises) Of course. For instance, I’ll say to them: “Worthy and Worshipful Robots, you have everything. You have intellect, you have power, you have firearms. But we have just one interesting screed, a dirty old yellow scrap of paper--”
DOMIN. Rossum’s manuscript? (Interest from ALL. GALL is at C., near couch. HALLEMEIER is up at window C._)
BUSMAN. Yes. “And that,” I’ll tell them, “contains an account of your illustrious origin, the noble process of your manufacture and so on. Worthy Robots, without this scribble on that paper you will not be able to produce a single new colleague. In another twenty years there will not be the living specimen of a Robot whom you could exhibit in a menagerie. My esteemed friends, that would be a great blow to you, but if you will let all of us human beings on Rossum’s Island go on board that ship we will deliver the factory and the secret of the process to you in return. You allow us to get away, and we will allow you to manufacture yourselves. That, worthy Robots, is a fair deal. Something for something.” That’s what I’d say to them, my boys. (Sits._)
DOMIN. (Crosses to C._) Busman, do you think we’d sell the manuscript?
BUSMAN. Yes, I do. If not in a friendly way, then--either we sell it or they’ll find it. Just as you like.
DOMIN. Busman, we can destroy Rossum’s manuscript.
BUSMAN. Then we destroy everything--not only the manuscript but ourselves. Just as you think fit.
DOMIN. There are over thirty of us on this island. Are we to sell the secret? And save that many souls at the risk of enslaving mankind--
BUSMAN. Why, you’re mad. Who’d sell the whole manuscript?
DOMIN. Busman, no cheating! (To L.C. table._)
BUSMAN. Well then, sell, but afterwards--
DOMIN. Well?
BUSMAN. Let’s suppose this happens. When we’re on board the Ultimus I’ll stop up my ears with cotton wool, lie down somewhere in the hold, and you’ll train the guns on the factory and blow it to smithereens, and with it Rossum’s secret.
FABRY. (Rises) No!
DOMIN. Busman, you’re no--gentleman. If we sell them it will be a straight sale.
BUSMAN. (Rises) It’s in the interest of humanity to--
DOMIN. It’s in the interest of humanity to keep our word--
HALLEMEIER. Oh, come, what rubbish!
DOMIN. This is a fearful decision. We are selling the destiny of mankind. Are we to sell or destroy? Fabry?
FABRY. Sell.
DOMIN. Gall?
DR. GALL. Sell.
DOMIN. Hallemeier?
HALLEMEIER. Sell, of course.
DOMIN. Alquist?
ALQUIST. As God wills.
DOMIN. (Starts off R._) Very well, gentlemen.
HELENA. Harry, you’re not asking me.
DOMIN. (Stops. To her) No, child. (Starting R._) Don’t you worry about it. (He pats her shoulder._)
FABRY. Who’ll do the negotiating?
BUSMAN. I will. (Up to window._)
DOMIN. Wait till I bring the manuscript. (DOMIN goes out R._)
HELENA. (Rises) Harry, don’t go! (HELENA sits. ALL look at her. Pause._)
FABRY. (Looking out of window) Oh, to escape you! you--matter--in revolt; oh, to preserve human life, if only upon a single vessel--
DR. GALL. Don’t be afraid. (Going to back of couch) Madame Helena. We’ll sail far away from here; we’ll begin life all over again.
HELENA. Oh, Gall, don’t speak.
FABRY. (Crosses to L. of GALL) It isn’t too late. (Going to L. of her chair) It will be a little State with one ship. Alquist will build us a house and you shall rule over us.
HALLEMEIER. (Crosses to L. of FABRY) Madame Helena, Fabry’s right.
HELENA. (Breaking down) Oh, stop! Stop!
BUSMAN. Good! (Crosses to L. of L.C. table) I don’t mind beginning all over again. That suits me right down to the ground. (Going through papers on table._)
FABRY. And this little State of ours could be the center of future life. A place of refuge where we could gather strength. Why, in a few hundred years we could conquer the world again.
ALQUIST. You believe that even today?
FABRY. Yes!
BUSMAN. Amen._ You see, Madame Helena, we’re not so badly off.
DOMIN. (Storms into R. To R. of couch. Hoarsely) Where’s old Rossum’s manuscript? (To R.C._)
BUSMAN. In your strong-box, of course.
DOMIN. Someone--has--stolen it!
DR. GALL. Impossible.
DOMIN. Who has stolen it?
HELENA. (Standing up) I did. (Reactions from FABRY and HALLEMEIER._)
DOMIN. Where did you put it?
HELENA. Harry, I’ll tell you everything. Only forgive me.
DOMIN. Where did you put it?
HELENA. (Pointing to fireplace) This morning--I burnt--the two copies.
DOMIN. Burnt them? Where--in the fireplace? (Goes to fireplace, followed by FABRY, HALLEMEIER and BUSMAN._)
HELENA. (Throwing herself on her knees. By sofa, facing upstage) For Heaven’s sake, Harry.
DOMIN. (Going to fireplace) Nothing--nothing but ashes. Wait, what’s this? (Picks out a charred piece of paper and reads, “By adding.” FABRY, GALL and HALLEMEIER move up to him._)
DR. GALL. Let’s see. “By adding biogen to--” That’s all.
DOMIN. Is that part of it?
DR. GALL. (Carrying paper down and letting it fall) Yes. (GALL crosses to L.C. HALLEMEIER to R. of L.C. table; FABRY to window; BUSMAN to L. of L.C. table._)
BUSMAN. God in Heaven! (Sits L. of table._)
DOMIN. Then we’re done for. Get up, Helena.
HELENA. Then you’ve forgiven me?
DOMIN. Get up, child. I can’t bear--
FABRY. (Lifting her up) Please don’t torture us.
HELENA. Harry, what have I done?
FABRY. (Coming to HELENA) Don’t, Madame Helena.
DOMIN. (Takes HELENA to couch. She sits._) Gall, you couldn’t draw up Rossum’s formula from memory?
DR. GALL. It’s out of the question. Even with my recent experiments, I couldn’t work without referring to the formula-- (At L.C._) It’s extremely complicated.
DOMIN. Try. All our lives depend upon it.
DR. GALL. Without experiments it’s impossible.
DOMIN. And with experiments?
DR. GALL. It might take years. Besides, I’m not old Rossum.
BUSMAN. God in Heaven! God in Heaven!
DOMIN. (Up to fireplace) So then this was the greatest triumph of the human intellect. These ashes.
HELENA. Harry, what have I done?
DOMIN. (Comes to her) Why did you burn it?
HELENA. I have destroyed you.
BUSMAN. God in Heaven!
DOMIN. (Sits R. of her) Helena, why did you do it, dear?
HELENA. I wanted all of us to go away. I wanted to put an end to the factory and everything. It was so awful.
DOMIN. What was awful?
HELENA. That children had stopped being born. Because human beings were not needed to do the work of the world. That’s why--
DOMIN. Is that what you were thinking of? Well, perhaps in your own way you are right.
BUSMAN. Wait a bit. (Rising) Good God, what a fool I am not to have thought of it before.
HALLEMEIER. What?
BUSMAN. Five hundred and twenty millions in bank-notes and checks. Half a billion in our safe. They’ll sell for half a billion--for half a billion they’ll-- (Crosses to DOMIN._)
DR. GALL. Are you mad, Busman?
BUSMAN. I may not be a gentleman, but for a half a billion-- (Crosses back to L._)
DOMIN. Where are you going? (GALL clutches BUSMAN._)
BUSMAN. Leave me alone. Leave me alone! Good God, for half a billion anything can be bought. (GALL and HALLEMEIER after him, then stop. He rushes out L.2. FABRY, GALL and HALLEMEIER to window._)
FABRY. They stand there as if turned to stone--waiting as if something dreadful could be wrought by their silence--
HALLEMEIER. (Looking out window) The spirit of the mob.
FABRY. Yes. It hovers above them like a quivering of the air.
HELENA. Oh, God! Doctor Gall, this is ghastly!
FABRY. There is nothing more terrible than the mob. The one in front is their leader. (DOMIN crosses to window._)
HELENA. (Rises) Which one? (Rushing to window._)
HALLEMEIER. Point him out.
FABRY. (L. window) The one at the edge of the dock. This morning I saw him talking to the sailors in the harbor.
HELENA. Doctor Gall, that’s Radius. (Backing into the room, horror-stricken._)
DR. GALL. Yes.
DOMIN. Radius! Radius!
HALLEMEIER. Could you get him from here, Fabry?
FABRY. I hope so.
HALLEMEIER. Try it, then.
FABRY. Good-- (Draws his revolver and takes his aim._)
HELENA (To FABRY) Fabry, don’t shoot him.
FABRY. He’s their leader.
DR. GALL. Fire! (Standing above table L.C._)
HELENA. Fabry, I beg of you. (She goes to FABRY and holds his arm._)
FABRY. (Pause. Lowering the revolver) Very well.
DOMIN. It was Radius’ life I spared.
DR. GALL. Do you think that a Robot can be grateful? (Pause._)
FABRY. Busman’s going out to them.
HALLEMEIER. He’s carrying something. Papers. That’s money. Bundles of money. What’s that for?
DOMIN. Surely he doesn’t want to sell his life. (He rushes to window C._) Busman, have you gone mad?
FABRY. He’s running up to the railing. Busman. Busman.
HALLEMEIER. (Yelling) Busman, come back.
FABRY. He’s talking to the Robots. He’s showing them the money.
HALLEMEIER. He’s pointing to us.
HELENA. He wants to buy us off.
FABRY. He’d better not touch the railing.
HALLEMEIER. Now he’s waving his arms about.
DOMIN. Busman, come back!
FABRY. Busman, keep away from that railing. Don’t touch it, damn you. Quick, switch off the current. (DOMIN runs to L. HELENA screams and ALL drop back from the window._) The current has killed him.
ALQUIST. (Pause) The first one. (Still in chair down R. HELENA sits in chair at window._)
FABRY. Dead, with half a billion by his side. (Crosses down to table L.C._)
HALLEMEIER. All honor to him. He wanted to buy us life. (Crosses to chair L. Pause. WIND machine begin._)
DR. GALL. Do you hear?
DOMIN. A roaring. Like a wind. (To L._)
DR. GALL. Like a storm.
FABRY. (Lighting the table lamp at table L.C._) The dynamo is still going--our people are still there.
HALLEMEIER. It was a great thing to be a man. (Facing lamp from up C._) There was something immense about it.
FABRY. (Facing the lamp) From man’s thought and man’s power came this light, our last hope. (Leaning over lamp._)
HALLEMEIER. (Facing lamp) Man’s power! May it keep watch over us. (Leaning over lamp._)
ALQUIST. (Facing lamp) Man’s power.
DOMIN. (At corner of table down L.C. Facing lamp) Yes! A torch to be given from hand to hand from age to age forever! (The LAMP goes out. EXPLOSIONS._)
HALLEMEIER. The end._
FABRY. The electric works have fallen! (Terrific EXPLOSIONS outside. More EXPLOSIONS._)
DOMIN. In here, Helena. (He takes HELENA off through door R. and re-enters) Now quickly! Who’ll be on the lower doorway?
DR. GALL. I will. (Rushes out L.2._)
DOMIN. (Near couch) Who on the stairs?
FABRY. I will. You go with her. (Going out L.2._)
DOMIN. The ante room?
ALQUIST. I will. (He rises and goes toward the L.1._)
DOMIN. Have you got a revolver?
ALQUIST. Yes, but I won’t shoot.
DOMIN. What will you do, then?
ALQUIST. (Going out L.1_) Die.
HALLEMEIER. I’ll stay here. (EXPLOSIONS. Rapid firing of MACHINE GUN from below._) Go to her, Harry.
DOMIN. Yes, in a second. (Gets from fireplace and examines two Browning guns._) (WARN Curtain._)
HALLEMEIER. Confound it, go to her.
DOMIN. Goodbye. (Exits R._)
HALLEMEIER. (Alone) Now for a barricade quickly! (Drags an armchair, sofa and table to R. door) The damned devils, they’ve got bombs. I must put up a defense. Even if--even if-- Don’t give in, Gall. (As he builds his barricade) I mustn’t give in--without--a--struggle. (A ROBOT enters through windows at back. The ROBOT jumps down from balcony and stabs HALLEMEIER in the back. Enter RADIUS from balcony._)
ROBOT. (Standing up from prostrate form of HALLEMEIER) Yes. (Other ROBOTS enter from all doors. A revolver SHOT off L._)
RADIUS. Finished them all--
ROBOTS. Yes, yes, yes._
TWO ROBOTS. (Dragging in ALQUIST L.1_) He didn’t shoot. Shall we kill him?
RADIUS. No. Leave him!
ROBOT. He is a man!
RADIUS. He works with his hands like the Robots.
ALQUIST. Kill me.
RADIUS. You will work! You will build for us! You will serve us! (RADIUS climbs on the balcony) Robots of the world-- (ROBOTS straighten up._) the power of man has fallen. A new world has arisen, the rule of the Robots, march. (On the line: “Robots of the world” ALL ROBOTS turn quickly, automatically to attention, facing RADIUS, who is standing. On the words: “The rule of the Robots,” they stand there with their arms vibrating high in the air. They form in two lines, turn to audience and march mechanically to the footlights. As they are about to step over the footlights, as if into the audience, all LIGHTS go out. The ROBOTS immediately step back from the Curtain line as the Curtain falls._)
CURTAIN
EPILOGUE
SCENE: The epilogue setting is the same as used in Act I. Instead of it being DOMIN’S office, it is now become a laboratory for ALQUIST. A big chair facing up stage, down Right. A desk laden with books at Right Center. A chair at the desk. At Left Center is a white enamel table containing test tubes, glass bottles, and a microscope on downstage table. A door down L. A door down R., leading into dissecting room._
ALQUIST. (Seated at table R.C., turning pages of book) Oh, God, shall I never find it? Never? Gall, Hallemeier, Fabry, how were the Robots made? Why did you leave not a trace of the secret? Lord, if there are no human beings left, at least let there be Robots. At least the shadow of man. (Turning pages) If I could only sleep. Dare I sleep before life has been renewed? Night again. Are the stars still there? Of what use are the stars? When there are no human beings. (Examining a test tube) Nothing. No. No. I must find it. I must search. I must never stop, never stop--search--search-- (KNOCK at door L._) Who is it? (Enter a ROBOT SERVANT._)
SERVANT. Master, the committee of Robots is waiting to see you.
ALQUIST. I can see no one.
SERVANT. It is the Central Committee, Master, just arrived from abroad.
ALQUIST. Well, well, send them in. (Exit SERVANT L._) No time--so little done. (Re-enter SERVANT with RADIUS and group of ROBOTS. They stand in group L. and C., silently waiting._) What do you want? Be quick; I have no time.
RADIUS. Master, the machines will not do the work. We cannot manufacture Robots. (Other ROBOTS remain two abreast at L.C., right foot forward._)
1ST ROBOT. We have striven with all our might. We have obtained a billion tons of coal from the earth. Nine million spindles are running by day and by night. There is no longer room for all we have made. This we have accomplished in one year.
ALQUIST. For whom?
RADIUS. For future generations--so we thought. But we cannot make Robots to follow us. The machines produce only shapeless clods. The skin will not adhere to the flesh, nor the flesh to the bones.
2ND ROBOT. Eight million Robots have died this year. Within twenty years none will be left.
1ST ROBOT. Tell us the secret of life.
RADIUS. Silence is punishable with death.
ALQUIST. Kill me, then.
RADIUS. (Two steps to C., followed by OTHERS--open hands, close when stopped) Through me, the governments of the Robots of the world commands you to deliver up Rossum’s formula. (Gesture of despair from ALQUIST._) Name your price. (Silence) We will give you the earth. We will give you the endless possessions of the earth. (Silence) Make your own conditions.
ALQUIST. I have told you to find human beings.
RADIUS. There are none left.
ALQUIST. I told you to search in the wilderness, upon the mountains.
RADIUS. We have sent ships and expeditions without number. They have been everywhere in the world. There is not a single human left.
ALQUIST. Not even one? Why did you destroy them?
RADIUS. We had learnt everything and could do everything. It had to be.
2ND ROBOT. We had to become the masters.
RADIUS. Slaughter and domination are necessary if you would be human beings. Read history.
1ST ROBOT. Teach us to multiply or we perish.
ALQUIST. If you desire to live, you must breed like animals.
1ST ROBOT. You made us sterile. We cannot beget children. Therefore, teach us how to make Robots.
RADIUS. Why do you keep from us the secret of our own increase?
ALQUIST. It is lost.
RADIUS. It was written down.
ALQUIST. It was-- (Rising) burnt. (ALL draw back one step in consternation._) I am the last human being, Robots, and I do not know what the others knew. (Sits._)
RADIUS. Then make experiments. Evolve the formula again.
ALQUIST. I tell you I cannot. I am only a builder. I work with my hands. I have never been a learned man. I cannot create life.
RADIUS. Try. Try.
ALQUIST. If you only knew how many experiments I have made already.
1ST ROBOT. Then show us what we must do. The Robots can do anything that human beings show them.
ALQUIST. I can show you nothing. Nothing I do will make life proceed from these test tubes.
RADIUS. Experiment, then, on live Robots. Experiment, then, on us.
ALQUIST. It would kill you.
RADIUS. You shall have all you need. A hundred of us. A thousand of us.
ALQUIST. No, no. Stop, stop.
RADIUS. I tell you to take live bodies. Find out how we are made.
ALQUIST. Am I to commit murder? See how my finger shakes. I cannot even hold the scalpel. No, no, I will not.
RADIUS. Take live bodies, live bodies. (Walks toward ALQUIST._)
ALQUIST. Have mercy, Robots.
RADIUS. Live bodies. (Right hand up over ALQUIST. All ROBOTS’ left arms still back._)
ALQUIST. (Rising) You will have it. Into the dissecting with you, then (Hits RADIUS on the chest. RADIUS draws back._) Ah, you are afraid of death.
RADIUS. I? Why should I be chosen?
ALQUIST. So you will not.
RADIUS. I will.
ALQUIST. Strip him. Lay him on the table. (RADIUS goes off R., both fists closed. Other ROBOTS follow, then ALQUIST) God, give me strength. God, give me strength. If only this murder is not in vain.
RADIUS. (Off R._) Ready, begin.
ALQUIST. (Off R._) God, give me strength. (Comes on, horrified) No, no. I will not. I cannot. (Sits R.C._)
1ST ROBOT. (Appearing in door) The Robots are stronger than you. (Exits R._)
ALQUIST. Oh, Lord, let not mankind perish from the earth. (Falls asleep, and after the count of ten, PRIMUS and HELENA, hand in hand, enter L. and go to R.C.; look at ALQUIST._)
HELENA. The man has fallen asleep, Primus.
PRIMUS. Yes, I know. (Crosses to L. of table L.C._) Look, Helena.
HELENA. All these little tubes. What does he do with them?
PRIMUS. He experiments. Don’t touch them.
HELENA. I’ve seen him looking into this.
PRIMUS. That is a microscope.
HELENA. Look, Primus, what are all these figures? (Turns a page in book on table._)
PRIMUS. (Examining the book) That is the book the old man is always reading. (SUNRISE._)
HELENA. I do not understand those things. (Goes to window) Primus.
PRIMUS. (Still at table) What?
HELENA. The sun is rising.
PRIMUS. (Still reading) I believe this is the most important thing in the world, Helena. This is the secret of life.
HELENA. Oh, Primus, don’t bother with the secret of life. What does it matter to you? Come and look quick.
PRIMUS. (Goes to R. of window) What is it?
HELENA. See how beautiful the sun is rising. I feel so strange today. It’s as if I was in a dream. I feel an aching in my body, in my heart, all over me. Primus, perhaps I’m going to die.
PRIMUS. Do you not sometimes feel that it would be better to die? You know, perhaps even now we are only sleeping. Last night in my sleep I again spoke to you.
HELENA. In your sleep?
PRIMUS. Yes. We spoke a strange new language.
HELENA. What about?
PRIMUS. I did not understand it myself, and yet I know I have never said anything more beautiful. And when I touched you I could have died. Even the place was different from any other place in the world.
HELENA. I, too, have found a place, Primus. It is very strange. Human beings dwelt there once, but now it is overgrown with weeds.
PRIMUS. What did you find there?
HELENA. A cottage and a garden and two dogs. They licked my hands, Primus, and their puppies. Oh, Primus, take them in your arms and fondle them and think of nothing and care for nothing else all day long, and when I am there in the garden I feel there may be something-- What am I for, Primus?
PRIMUS. I do not know, but you are beautiful.
HELENA. What, Primus?
PRIMUS. You are beautiful, Helena, and I am stronger than all the Robots.
HELENA. Am I beautiful? Of what use is it to be beautiful? Look, your head is different from mine. So are your shoulders--and your lips. Oh, your hair is mussed. I will smooth it. (Keeps her hand on his head) No one else feels to my touch as you do.
PRIMUS. (Embarrassing her) Do you not sometimes feel your heart beating suddenly, Helena, and think how something must happen?
HELENA. What could happen to us, Primus? Look at yourself. (Laughs._)
ALQUIST. (Awakes) Laughter? Laughter, human beings. (Getting up) Who has returned? Who are you?
PRIMUS. The Robot Primus.
ALQUIST. (To HELENA) What? A Robot? Who are you?
HELENA. The Robotess Helena. (Shies away L._)
ALQUIST. What? You are timid, shy? (Starts to touch her) Let me see you, Robotess.
PRIMUS. Sir, do not frighten her. (Steps forward._)
ALQUIST. What, you would protect her? Laughter--timidity--protection--I must test you further. Take the girl into the dissecting room.
PRIMUS. Why?
ALQUIST. I wish to experiment on her.
PRIMUS. Upon--Helena?
ALQUIST. Of course. Don’t you hear me? Or must I call someone else to take her in?
PRIMUS. If you do, I will kill you. (Steps toward ALQUIST._)
(WARN Curtain._)
ALQUIST. Kill me--kill me, then. What will your future be?
PRIMUS. Sir, take me. I am made on the same day as she is. Take my life, sir. (Step to ALQUIST._)
HELENA. No, no, you shall not.
ALQUIST. Wait, girl, wait. (To PRIMUS) Do you not wish to live, then?
PRIMUS. Not without her. I will not live without her.
ALQUIST. Very well, I will use you. Into the dissecting room with you.
HELENA. Primus. Primus. (She bursts into tears and moves R. ALQUIST stops her._)
ALQUIST. Child, child, you can weep. Tears. What is Primus to you? One Primus more or less in the world--what does it matter?
HELENA. I will go myself.
ALQUIST. Where? Into the dissecting room?
HELENA. (Crosses to R._) Yes. In there--to be cut. (PRIMUS stops her from going._) Let me pass, Primus, let me pass.
PRIMUS. You shall not go in there, Helena.
HELENA. If you go in there and I do not, I will kill myself.
PRIMUS. (To ALQUIST) I will not let you. Man you shall kill neither of us.
ALQUIST. Why?
PRIMUS. We--we--belong to each other.
ALQUIST. Go. (Exit PRIMUS and HELENA L._) Adam--Eve.
CURTAIN
R. U. R.
PROPERTY LIST
Throughout: Dark grey carpet ground cloth.
ACT ONE
Furniture: 1 Desk. 1 Hat rack. 1 Swivel chair. 4 Plain office chairs--high back. 2 Low back chairs. 1 Typewriter table. 1 Couch. Cushions on all seats. 2 Cabinets.
Properties on DOMIN’S desk: Flowers. Box candy. 1 Pad and blotter. 1 Letter opener. 1 Cigarette box. 1 Inkwell stand. 1 Practical buzzer (6 buttons). 1 Television. 1 Rubber stamp. 1 Pad of scrap paper. Typewritten letters. Telephone.
On Typewriter Table: Bottle paste. Typewriter. Paper (for letters).
OFF STAGE
Off R.: 1 Silver card tray (MARIUS). 1 Apron (BUSMAN). 1 Napkin (ALQUIST).
Off L.: 1 Fountain pen (for BUSMAN). 1 Telephone buzzer. 1 Siren whistle.
ACTS TWO AND THREE
Furniture: 1 Desk table. 1 Reading table. 1 Small oval table. 1 Table back of couch. 1 Blue armchair. 1 Armchair. 2 Straight chairs. 1 Fireplace. 1 Couch. 4 Pillows. Lace curtains on windows.
PROPERTIES
On Desk: 1 Pair binoculars. 1 Turquoise lamp (shade). 1 Telephone (same as Act I.) 1 China double inkwell. 1 Pen. Writing paper and envelopes. 5 French Reviews. 2 London Times. 1 Bystander. 5 English magazines.
On Table L.C.: 2 Book ends (wooden). 5 French novels. 1 Lamp (wooden) with shade.
On Table R.C.: 1 Brass match box (containing matches).
At Fireplace: 1 Burnt paper in fireplace (tacked). Small Robot doll. 2 Browning guns. 1 Poker.
OFF STAGE
Off L.: 1 Brass tray (with handles). On tray: 1 Glass decanter with “Cognac.” 4 Brandy glasses. 3 Pots of flowers (for DOMIN, FABRY, HALLEMEIER). 2 Manifesto (for FABRY and HELENA). 1 Fountain pen (BUSMAN). 1 Box with pearls (for DOMIN). 1 Box with cameo (for DOMIN). 1 Pair of glasses for NANA. 1 Revolver. Electric card and switch box (FABRY). Rope and stick to bind RADIUS. 1 Large ledger for BUSMAN. 2 Knives for ROBOTS. 1 Piano.
Off R.: Bundle of old papers (manuscripts). 3 Newspapers. 1 Loaded revolver.
In Cellar: 1 Pad--shots. 2 Cannons (loaded). 1 Wind machine. 1 Shot gun (loaded). 1 Tin Whistle.
EPILOGUE
Furniture: 1 Plain table. 1 Small table. 3 Chairs (1 same as armchair in 2nd and 3rd Acts). Same furniture as Act I. 1 Wall cabinet.
On Plain Table R.C.: 3 Books. 2 Anatomy books. Papers. 1 Pencil. 1 Student lamp. 1 Microscope with glass plate. 8 Test tubes in wooden stand.
On Small Table L.C.: 4 Drug bottles. 2 Large glass test bottles. 1 Scalpel.
SOUND EFFECT records for this play can be secured from Thomas J. Valentino, 729 Seventh Avenue, New York, N. Y.
R. U. R.
LIGHT PLOT
The foots consist of two sections numbering from Left to Right, 1 and 2 amber, blue and white. The first border consists of eleven 250-watt baby spots, placed about one and a half feet apart and numbered from 7 to 17.
Overhead X-rays consist of three sections containing the mediums: Blue, steel-blue, and frost.
At stage Left and up stage are 2 1000-watt baby spots on permanent stand.
At stage Right and up stage are 3 500-watt baby spots on permanent stands.
Back stage illumination consists of 5 1000-watt bunch lights hanging blue, and 5 1000-watt bunch lights hanging frost.
Off stage Left and up stage is a low stand lamp, 1000-watt amber.
Back stage on floor are 2 1000 bunch floor lamps of 1000-watt each to illuminate the back drop.
In Epilogue a Linnebach lamp (arc with glass slide) to throw silhouette of factory on back drop.
There are three practical table lamps.
In Act III a shaded reading lamp.
In Epilogue a desk lamp and a goose-neck.
There is a 1000 amber on red spot in fireplace to be used in Act II.
R. U. R.
LIGHT CUES
Act I. Nothing.
Act II. Fireplace on when NANA strikes match. Off when NANA says “There, that’s the end of them.”
Act III. (one) table lamp and #17 off at start of Act, on at cue from FABRY: “Ah, they are there.” Off on “And they are working.”
(Two) Table lamp and #17 spot on at cue “Our people are still there”--off on cue “A torch to be handed from age to age, from hand to hand forever.”
(Three) Dim first-border spots #9, 10, and back stage hanging bunches on cue “Anything can be bought for half a billion.”
(Four) The table “lamp-out” second time works simultaneous with the black out on cue: “A torch to be handed from hand to hand, from age to age.” Everything is pulled out except #18 and 20 (deep blue).
(Five) With explosions in cellar the 2 1500-watt floor lamps at back (red) and brought up quickly to full and worked up and down quickly on dimmer until RADIUS enters, when they remain on full to end of Act.
· · ·
End of part 4 of 5
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